Frames and Framing in Documentary Comics. Palgrave Macmillan, 2021.

Shooting Pictures, Drawing Blood: The Photographic Image in the Graphic War Memoir. Ch. A. Bachmann, 2016.

Edited Volumes:

Framing [in] Comics and Cartoons: Essays on Aesthetics, History, and Mediality.Eds. Johannes C. P. Schmid and Christian A. Bachmann. Ch. A. Bachmann, 2021.

Graphic Realities: Comics as Documentary, History, and Journalism. Eds. Laura Schlichting and Johannes C. P. Schmid. Special Issue of ImageTexT11.1 (2019).

Praktiken medialer Transformationen. Übersetzungen in und aus dem digitalen Raum. Eds. Johannes C. P. Schmid, Andreas Veits, and Wiebke Vorrath. Bielefeld: transcript, 2018. 

Articles and Book-Chapters:

"Framing Documentary Comics: Considering Prologues." In: Johannes C. P. Schmid and Christian A. Bachmann, eds., Framing [in] Comics: Essays on Aesthetics, History, and Mediality. Ch. A. Bachmann, 2021. 87-110.

"‘Where do Memory and Truth Meet?’ Contrasting Memoir and Documentary in the Comics of Sarah Glidden."In: Dominic Davies and Candida Rifkind, eds., Documenting Trauma: Traumatic Pasts, Embodied Histories & Graphic Reportage in Comics. Basingstoke: Palgrave Macmillan, 2020. 317-34.

"Framing and Translation in Birgit Weyhe’s Madgermanes." In: Ott, Michaela and Thomas Weber, eds, Situated in Translation: Cultural Communities and Media Practices. Bielefeld: Transcript, 2019. 107-18.

"Documentary Webcomics. Mediality and Contexts." In: Cook, Michael and Jeffrey S. Kirchoff, eds.,Perspectives on Digital Comics. Jefferson: McFarland, 2019. 63-88.

"Internet Memes as Digital Practices: Stock Characters Macros in Multimodal Structure, Function, and Metapragmatic Reflexivity." With Florian Busch. In: Kamtchueng, Lozzi Martial Meutem and Camilla Arundie Tabe, eds., Language, Media and Technologies: Usages, Forms and Functions. München: Lincom, 2019. 186-206.

"Graphic Nonviolence: Framing ‘Good Trouble’ in John Lewis’ March." European Journal of American Studies 13.4 (2018) DOI: 10.400.0/ejas.13922.

"Cartooning Resistance: Irony and Authentication in Zerocalcare’s Kobane Calling." International Journal of Comic Art 20.1 (2018): 153-69.

"Fantastische Erinnerungen. Fotografie als visuelle Metapher in Shaun Tans The Arrival." Exilograph 26 (2017): 7-8.

"Fotografie in Graphic Novels. Bildliche Rahmen und Rahmenbrüche in The Photographer." Übersetzen und Rahmen. Praktiken medialer Transformationen. Eds. Claudia Benthien and Gabriele Klein. Paderborn: Fink, 2017. 103-119.

"Bilder des Grauens. Zur Darstellung von Krieg und Gewalt im intermedialen Verhältnis von Comic und Fotografie."Closure. Kieler e-Journal für Comicforschung 2 (2015): 67–89.


Review of Subjectivity across Media. Interdisciplinary and Transmedial Perspectives, eds. Maike Sarah Reinerth & Jan-Noel Thon. Zeitschrift für Anglistik und Amerikanistik 66.1 (2018), 130-133.

"Über die Materie Comic in der Materie Comic." Review of Metamedialität und Materialität im Comic by Christian A. Bachmann. Closure. Kieler e-Journal für Comicforschung 3 (2016), 168–171.