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THE CODE OF CAPITAL The Code of Capital How the Law Creates Wealth and Inequality Katharina Pistor PRINCETON UNIVERSITY PRESS PRINCETON AND OXFORD Copyright © 2019 by Katharina Pistor Requests for permission to reproduce material from this work should be sent to permissions @press .princeton .edu Published by Princeton University Press 41 William Street, Princeton, New Jersey 08540 6 Oxford Street, Woodstock, Oxfordshire OX20 1TR press .princeton .edu All Rights Reserved LCCN: 2018965763 ISBN 978- 0- 691- 17897- 4 British Library Cataloging- in- Publication Data is available Editorial: Joe

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• ICES Reading group 21/22 - K. Pistor

ZeBUSS JAHRESbEricht 2023/2024 0 ZEBUSS JAHRESBERICHT 2023/2024 Berichtszeitraum 06/2023 – 05/2024 ZeBUSS Jahresbericht 2023/2024 1 Inhalt Zusammenfassung .................................................................................................................................. 2 1. Struktur, Aufgaben und Ziele des ZeBUSS ................................................................. 3 1.1 Struktur des ZeBUSS ........................................................................................................... 4 1.2 Zentrale Forschungsfelder im ZeBUSS ..........................

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• Documents

Halbfas, Brigitte / Koall, Iris / Rastetter, Daniela / Sieben, Barbara (Hrsg.): Diversitatis, Zeitschrift für Diversitätsforschung und - management Heft 1/2016. Ebbers, Ilona / Halbfas, Brigitte/Rastetter [...] Landeskonzeptes für die schulische Berufsorientierung. In: Knickrehm, Barbara / Fletemeyer, Tina / Bernd-Joachim Ertelt (Hrsg.): Berufliche Orientierung und Beratung. Aktuelle Herausforderungen und digitale [...] In: Böhnisch, Lothar / Lenz, Karl / Schröer, Wolfgang / Stauber, Barbara / Walther, Andreas (Hrsg.): Handbuch Übergänge, Weinheim / München 2013, 705- 720. Ebbers, Ilona: Querschnitt – Gender in der

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• Prof. Dr. Ilona Ebbers
• Prof. Dr. Ilona Ebbers

Reinmuth (2) Dr. Christian Dewanger (0) Gruppe der Studierenden: Barbara Blattgerste (4) Anne Klingenmeier (3) Jonas Monninger (2) Luca Sprick (2) Moritz Mahltig (1) Clara Tempel (0) Seite 6 von 7 9.

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• Faculty Council Meetings

bewusst zu werden. → #AbleismTellsMe — Was bedeutet Ableismus? Barbara Schnell, 3.11.2020. https://blog.eichhoernchen.fr/post/ableismtellsme-was-be- deutet-ableismus/ → Ableismus Tanya Kollodzieyski, [...] 1000-Stunden-Modell. Ein flexibles Zeit- budget mit Lohnersatz Barbara Stiegler, Friedrich-Ebert-Stiftung, 2019. https://www.fes.de/index.php?eID=dumpFi- le&t=f&f=52464&token=e0ee73491f64131366ba5802a

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• "Arbeitsbereich Chancengleichheit" (Equal opportunities)

of the verbally and visually disseminated meaning may merge. As Barbara Harrison (2004) discusses in relation to the photographic images of the everyday shots taken by ordinary people, photography can

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• Culture, Practice and Europeanization

Discussant: Guillem Belmar Viernes, University of California, Santa Barbara. 17:00 – Roundtable discussion: Local minority languages and the digital age. • Hauke Heyen, Europa Universität Flensburg, Jørgen

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• ICES Keynote Lecture: Elin Haf Grufydd Jones

. Dr. Hannelore Faulstich-Wieland |Tatjana Beer (wiss. Mit.) | Barbara Scholand (M.A.) | Universität Hamburg Differenzkonstruktionen von Professionellen | EB 165 Was ist denn hier der pädagogische

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• International Conference Practices & Difference
• International Conference Practices & Difference
• Conference Schedule

. Dr. Hannelore Faulstich-Wieland |Tatjana Beer (wiss. Mit.) | Barbara Scholand (M.A.) | Universität Hamburg Differenzkonstruktionen von Professionellen | EB 165 Was ist denn hier der pädagogische

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• International Conference Practices & Difference
• International Conference Practices & Difference
• Conference Schedule

Navigating Matters: Reflections on an Oxford-Made Ivory Nocturnal in Munich Celine Camps cc4304@columbia.edu This paper focuses on an Oxford-made, purportedly eighteenth-century, ivory noc- turnal from the Deutsches Museum. While nocturnals are kept in various other mu- seum collections, those instances are invariably made of metal or wood. The use of ivory is especially noteworthy due to the nocturnal’s provenance: Oxford was nei- ther a center for ivory products nor for scientific-instrument-making. As such, the nocturnal appears to be a material and geographical outlier and raises questions about

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• Material Culture