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nocturnal by two centuries. As such, the nocturnal from the Deutsches Museum appears to be a mate- rial and temporal outlier. Finally, it is worth remarking that the use of ivory is equally surprising due
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duty to engage in dialogue and protect religious freedom objective’ or mere ‘observers’ to this mate- rial. I encountered fascination and amaze- ment with some, while with others – re- sentment and rejection
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characteristics. In the first instance, they are objects, strictly speaking, made from all sorts of mate- rials: marble, granite, bronze, steel, and so forth. As objects, they constitute inert blocks standing in