fileadmin/content/studiengaenge/eucs/dokumente/downloads/eucs-academic-writing-guide.pdf
planning the paper itself: it’s not as if the plan exists in the mind and then is simply transcribed onto paper. Rather, until the student begins writing a plan, no plan exists. You’re writing an academic
fileadmin/content/zentren/ices/dokumente/newsletter/ices-newsletter-ausgabe4.pdf
whiteness while displacing ‘race’ – in the forms of laziness, lack of rationality and self-restraint – onto less resourceful migrants. The lecture is organised, introduced and moderated by Dr. Sören Carlson
fileadmin/content/zentren/ices/bilder/veranstaltungen/lesekreis/pistor-2019-code-of-capital.pdf
cheered me along the way. My late colleague, Robert Ferguson, in- stilled me with the sense that I was onto something; I only wish I could have shared the final result with him. Carol Gluck reviewed my book [...] book will show that the metamorpho- sis of capital goes hand in hand with grafting the code’s modules onto ever new assets, but also, from time to time, stripping some assets of key legal modules: rural land [...] by altering an asset’s legal coding, by stripping some modules from an asset, or by grafting them onto a different asset. We will see this play out in the rise and decline of landed wealth; the adaptation
fileadmin/content/seminare/soziologie/dokumente/culture-practice-and-europeanization/cpe-vol.5-no.1-2020/cpe-5-1-pp67-84-vidmar-horvat-2020.pdf
a wheelchair. After crossing the Slovenian border police offered him a ride. The father was loaded onto an ambulance and Ahmad continued walking. (I Am a Refugee: Ahmad, 17 years, Delo, 25.1.2016) “I hate [...] alone with two children … We said goodbye in the harbour, after you helped me to put life-jackets onto the kids, while they were hug- ging you and pleading with you to stay with us.” (I Am a Refugee: Fatima:
fileadmin/content/zentren/ices/bilder/veranstaltungen/achille-mbembe-critique-of-black-reason-1-.pdf
direc- tion and a foundation for what he is and what he does. Positive difference is also an opening onto the future. It points not to an apologia but to the recognition of what each person, as a human, [...] sexual licentiousness, orgies, unpunished rapes, and unrepressed incest.” Projecting his fantasies onto the Black Man, the racist acts as if the Black Man whose imago he has constructed actually exists [...] whether to escape from there to another town or to start to find the way to my home town as usual.”12 Onto the trunk of the body, which remains unchanging, is added someone else’s organ, a talking prosthesis
fileadmin/content/institute/anglistik/dokumente/projekte/dohcce-online.pdf
984 S. He’s climbing onto the roof. 985 L. Thank you. Mark. 986 S. He’s climbing onto the roof. 987 L. Yes. … 988 S. He’s climbing on the … on the … 989 L. … roof. He’s climbing onto the roof. 990 S. He’s [...] He’s climbing onto the roof. 991 L. … climbing onto the roof. Yes. 992 S. [Gelächter beim Erscheinen des Bildes] He’s crazy. 993 L. Yes. 994 S. He’s crazy. 995 L. Hm [zustimmend] 996 S. He’s crazy. 997 L [...] go to your seat. What is he doing? 1111 S. He’s going. 1112 L. Yes [ähm], please onto the table. Thomas. Climb 1113 onto that table over there. What is he doing? 1114 S. He is sitting on the table. 1115
fileadmin/content/institute/physik/bilder-und-dokumente-aktuell/6-forschung/material-culture/bispo-da-silva-ana-paula-contributions-of-material-culture-studies-to-scientific-instruments.-a-possible-biography-to-a-camera-lucida.pdf
7 Wollaston’s Camera Lucida (Wollaston 1807: 5). Ana Paula Bispo da Silva 7 when the virtual image onto paper was lost from the observer. Trying to solve this problem, Amici designed five different sets
fileadmin/content/institute/anglistik/dokumente/projekte/flecc-online-version.pdf
I have to change onto ... onto the Northern Line. 223 13:01 224 L: Okay. Number two. Katrin wants to visit the Rock Circus. 225 S: Take the Circle Line ... [L: Right!], change onto the Central Line. 226 [...] to the Train Station, 173 you have to take Line four, and you have to change onto Line ... 174 [Tafelanschrieb: change onto]. 175 [S unverständlich] 176 L: Who said Line five? 177 12:49 178 L: It's only [...] Circle Line ... 165 [S fährt mit einem Stift auf der Folie.] 166 L: ... and change at Gloucester Road, onto the Piccadilly Line. 167 [S sucht.] 168 L: It's the blue one. [S ist wieder auf Kurs.] 169 And then
/en/soziologie/culture-practice-and-europeanization/instructions-for-guest-editors
Editors Special issues are issues of ‘Culture, Practice & Europeanization’ that shed a specific focus onto a particular subject matter or field, for which the guest-editors hold a particular expertise. The
/en/working-group-physics/histolab/thematical-subsections/astronomy/cross-staff
to a development by Levi ben Gershon (also: Gersonides, 1288 – 1344). It consists of a wooden rod onto which spacers are applied and several adapters that are extended in the transverse direction. These