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Exchange Service (DAAD). The ARTES programme followed a very broad approach. In one sentence the objective of ARTES was to train professionals for rural appropriate technologies. ARTES graduates where trained [...] Universität Flensburg boie@uni-flensburg.de In 1989 the first students from Africa, Asia and Latin Amerika arrived in the far North of Germany to study in a new Master Programme called “ARTES” at the then University [...] develop the ARTES programme in 1985 it was part of their concept to focus on the interdependency between development in the South and in the North. It was therefore another aim of the ARTES programme to
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Tanzania, South Africa) Greetings to: (official welcoming later by officials) 18 Alumni from SESAM/ARTES+Uni Oldenburg and Bonn > safe trip/visa trouble, from 10 African countries Representatives from: - [...] the SESAM/ARTES master course at the University of Flensburg, has been putting their efforts in training experts to take up the above challenge. About 230 students of SESAM (and formerly ARTES) from 55 [...] among SESAM/ARTES alumni/experts is one way to assist in identifying and adopting the best practices to confront such challenges through capacity building and training. Alumni of SESAM and ARTES have been
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Climate Change and Energy Poverty in South East Asia” Compiled by: Ngo To Nhien Final Report SESAM/ARTES Asian Alumni Workshop Vietnam 2009 From 5th to 9th October 2009 in Hanoi & Halong ii Table of contents [...] based or more specialised? Consensus on the broad based objective to include the older and newer ARTES and SESAM graduates who are working in different fields 2. Have a representative from every country [...] alumni? What would be the costs and is it possible for DAAD to finance that? 250 total alumni from Artes and Sesam, perhaps 120 from Asia. 21 5. National vs. regional meeting – national is easier to organise
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Author The study started with a literature review to understand the concept of LCA and state of the art of LCA of a PV system. The LCA was conducted using the open-source software, OpenLCA, as it does not [...] SpringerNature. (2021). SpringerNature. https://media.springernature.com/m685/springer- static/image/art%3A10.1038%2Fs41560-019-0440- 0/MediaObjects/41560_2019_440_Fig1_HTML.png SSE. (2018a). Calculating [...] materials Annex 12: Link to thermographer inspection report – case study I, II, and III https://eufbox.uni-flensburg.de/index.php/s/6CAxZsDKcSqbWzD/download Annex 13: Cost estimation for building retrofiting
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European Cultural Foundation. Snelders, B. (2012). Narratives for Europe Not the Art of the State but a State of the Art. Amsterdam: European Cultural Foundation. Sunstein, C. R. (2007). Republic.com 2 [...] 2018 national elections. 2. The discursive construction of European identities: a brief state of the art descriptions of top-down and bottom-up narratives in the polarised debate Literature in social science [...] London: Verso. Chadwick, A. (2013). The Hybrid Media System Politics and Power. New York: Oxford Uni- versity Press. Charmaz, K. (2006). Constructing Grounded Theory: A Practical Guide through Qualitative
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representations of the refugee crisis at the periphery of Europe Ksenija Vidmar Horvat (ksenija.vidmar@ff.uni-lj.si) University of Ljubljana, Slovenia _________________________________________________________ [...] magazine Mladina, and was later presented in a gallery context as an autonomous work of (documentary) art. In my analysis, I treat both works as counter-narratives. Each of the two presents its own sets of [...] paradoxically leans towards de-objectification. Illustrations in the I Am a Refugee project invoke Art Spiegelman’s two-volume novel Maus, where he uses illustrations of animal characters of cats (Nazis)
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Sören Carlson (soeren.carlson@uni-flensburg.de) Europa-Universität Flensburg, Germany _________________________________________________________________________ 1. State of the art – subjects and range within [...] stories, as induced by Western discourse. Local counter-narratives, as represented in the visual art pieces, may help in advancing the European project. Marlene Gärtner (2020) then contributes an empirical [...] 885- 899. Bal, M. (1997). Narratology: introduction to the theory of narrative (2. ed.). Toronto: Uni- versity of Toronto Press. Bamberg, M., & Andrews, M. (2004). Considering counter-narratives: narrating
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which subjects are invoked as part of a larger community, and national cultural goods, where European art and values and so on serve as material representations of European- ness. Second, the network structure [...] r for Culture, links the na- tional, European and global dimensions with the concept “culture” as art. Not surprisingly perhaps, the European Commissioner for European Capitals of Culture represents the [...] centuries, owners of manor houses looked towards Europe, they travelled and brought European fashion, art and culture back home to their estates. European en- counters re-examines these historical European
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attempts to counter the ‘Paradise Europe’ narrative in Cameroon Marlene Gärtner (marlene.gaertner@uni-konstanz.de) University of Konstanz, Germany _____________________________________________________ [...] interview partners have been anonymised. The multiplicity of actors reflects “narration as a democratic art” where “stories thrive in the medium of socially shared knowledge” (Koschorke, 2018, 23). It is the
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Beworben haben https://www.uni-flensburg.de/?30297 https://www.uni-flensburg.de/?30297 https://www.uni-flensburg.de/?30298 https://www.uni-flensburg.de/?30298 https://www.uni-flensburg.de/ices/termine/ [...] Dr. Maurizio Bach im April 2022. https://www.uni-flensburg.de/?30407 https://www.uni-flensburg.de/?30407 https://www.uni-flensburg.de/?30407 https://www.uni-flensburg.de/ices/termine/tagung-levinas-and [...] s-calls https://www.uni-flensburg.de/ices/aktuelle-ausschreibungen/ https://www.uni-flensburg.de/ices/aktuelle-ausschreibungen/ https://www.uni-flensburg.de/?31197 https://www.uni-flensburg.de/ices/te